Masoud Akhavanjam presents two new sculptures in the Giardini Marinaressa alongside 2019 Venice Biennale
Giardini Marinaressa, East Garden, Venice
Sunday 11 May 2019 to Friday 24 November 2019
Preview days 9-10 May (works in situ from 1 May)
Iranian sculptor Masoud Akhavanjam will exhibit two large scale, stainless steel sculptures, as part of the GAA
Foundation’s PERSONAL STRUCTURES – open borders exhibition, in the context of the 2019 Venice Biennale.
The sculptures, Dilemma of Man and Metamorphosis will be exhibited publicly in Venice’s waterfront park, Giardini
Marinaressa from 5 May to 29 November 2019. Akhavanjam’s industrial yet delicate forms draw on philosophy,
contemporary socio-political issues and Persian mythology, so that within each work a didactic tale is contained.
Both works contain three visible figures, melded seemingly effortlessly into each other.
Dilemma of Man (400 cm x 246 cm) is a portrayal of the struggle between good and evil. A human figure is
depicted with a pair of wings. One wing is a magnificent feathered structure – the wing of the angel, while the
other takes on a bat like appearance – that of the devil. The work evokes the metaphor of having a devil on one
shoulder and an angel on the other, and the conflict of day-to-day choices between good and evil. For Akhavanjam
the figure is influential members of society, and those whose decisions have a great impact on humanity. The figure
faces this dilemma: to choose what is easy and wrong or to choose what is hard, selfless and good.
Metamorphosis (207 cm x 80 cm) provides a similar comment on society, this time suggesting that humanity must
work together to achieve the greater good. Three figures can be deciphered in the sculpture: a bull, an elephant
and a deer. This combination is inspired by the Persian mythical figures of the Achaemenid Empire of Iran from
around 500 BC. By combining strong, powerful beasts with smaller prey, the artist tells the age old tale of how
harmonic coexistence can be achieved if everyone practices tolerance, regardless of differences.
Akhavanjam’s sculptures are made entirely from stainless steel, a material he began to use when working for his
father’s manufacturing company for household appliances. While initially using it for more prosaic creations such as
sinks and taps, he began to realise its worth for fine art sculpture. Still appearing strong and sturdy, with a weight of
up to one ton, the way in which the sculptor coaxes the works means they simultaneously take on a delicate,
beautiful and gleaming form.
Akhavanjam says of the meaning of his sculptures:
“Humanity has come a long way in terms of tolerating and accepting one another in order to coexist, but it seems like
we still have far to go. This is where art can play a part, by demonstrating examples of this tolerance, and how far it can
take us. These public sculptures are my plea to the earth to find the good in everyone, and use it to make the world a
Janet Rady is a specialist in Contemporary Art from the Middle East and has been working with the artist since
2016. Rady says:
“‘Masoud is a significant figure in the contemporary Iranian market and his participation in projects both inside and
outside of Iran are testament to both growing international interest in his work and his renown in the artworld. This is a
rare chance to see two new monumental works from the artist on public display in Venice during the Biennale.”
The works in the GAA Foundation’s exhibition PERSONAL STRUCTURES – open borders explore the commonness
and difference between Europeans in dialogue with works of non-Europeans. The exhibition is hosted and
supported by the European Cultural Centre in two of its prestigious Palazzos in the centre of Venice – Palazzo
Bembo, Palazzo Mora as well as the Giardini Marinaressa.
The sculptor will be celebrated at a private reception during the opening week of the Venice Biennale on Thursday
9 May. Smaller scale works will be exhibited during the event. For more information or to attend please contact
About Masoud Akhavanjam:
Born in 1969 in Tehran, Iran, Masoud Akhavanjam was sent to Boarding School in Marburg Germany, at the age of
14. In 1989 Akhavanjam moved to the United States and attended the George Washington University, receiving a
degree in Biology in 1995. In 2005 he received an Executive MBA degree from the Kempten University of Applied
Science in Germany. From 1997 to 2011 Akhavanjam managed the Design Department the his family’s Iranian
manufacturing company for household appliances. During his high school years he took a sculpture class to make
ceramic sculptures. He made hundreds in the 80’s, some of which were sold. Later with the knowledge he had
gained through the manufacturing and the interest he always had in sculpture, he established his own workshop,
making his first bronze sculpture in 2011.
In 2013 Akhavanjam had his first solo exhibition at the Etemad Gallery in Tehran, followed by a solo exhibition at
the Niavaran Cultural Palace in 2015, and then a solo exhibition at the Shirin Gallery in 2016. In addition, he
participated in Abu Dhabi Art in 2016, and CONTEXT Art Miami in 2016 with Shirin Gallery. He has exhibited in
group exhibitions in places such as Opera Gallery, Mojdeh Gallery, Mohsen Gallery and Ariana Gallery in Tehran. In
2015 Akhavanjam participated in the Magic of Persia Auction Dubai, and 2016, 2017 and 2019 at the Tehran
Auction. His latest exhibition was a solo exhibition at Khak Gallery in Tehran in February 2019. Akhavanjam lives
and works between Spain and Iran.
Art critiques on other Iranian artists:
The rare welcome of Masoud Sadedin exhibition in Germany According to the outstanding international artist in Lands Museum at Bonn Avammag Webite By: Javid Ramezani translated by: narges marandi The exhibition of a successful Iranian painter in September was warmly welcomed in Bonn. His series; “Familiar As A Stranger” indicates a “metaphysical-presence” paradox. That is …
A Review on Sonia Balassanian Exhibition Homa art gallery The Regular, Repeating Music of Human’s Fate in the Middle-east Tandismag Website by Javid Ramezani Translated by Narges Marandi “It is said that Armenians have been living in Iran since Darius of the Achaemenid Empire. Though they were only landowners who would have come to Iran …
A review on “the Edge” Mahsa Karimizadeh’s volume exhibition The Opposite Worlds Tandismag Website: Written by Javid Ramezani “Dissatisfied with everything, dissatisfied with myself, I long to redeem myself and to restore my pride in the silence and solitude of the night.… strengthen me, sustain me, keep me from the vanities of the world and …
Ahmad Vakili’s Figurative Art, an Ultra-Political State A review on Ahmad Vakili’s Solo Drawing and Painting Exhibit at Hoor Art Gallery Tandismag Website Written by Javid Ramezani English Translation by Arian Azadkam Drawing has been severely uplifted in Iran from the early 30’s until now, as the background of all modern paintings there’s a light …
Muriel Rodolosse, a multimedia artist who plays with barriers Tandismag Website, Written by Javid Ramezani English Translation by Arian Azadkam Muriel Rodolosse is a French artist. Her works encapsulate wide range of visual arts including painting, performance, video art and installations all in one exhibition. Usually she has a delicate plan for exhibitions, noticeably considered …
Nasrollah Kasraian, one of the Pioneer Artists Tandismag Website, Written by Javid Ramezani English Translation by Arian Azadkam On the occasion of Nasrollah Kasraian’s first Solo Photography Exhibition in United States of America, titled “Through the Lens of Ethnicity: Images of Iranian Women” at Maryland University. Nasrollah Kasraian is known as the father of ethno-photography …
Survey on Identity in Stal gallery Artist: Javid Ramezani, Marjan Habibian, Joachim Hainzl, Maryam Mohammadi The Identity Exhibition opened on the evening of December 6th in Stal gallery Oman. In this exhibition four Artists gathered to share their Idea about Identity. Content of this exhibition shaped under the concept of present and past national identity and …